Art and Performance
The German government returns an Ambassador to Pyongyang with interests in cross-border trade in Sinuiju, North Korean succession issues, and “the liberal ’80s” in Beijing.
Christopher Richardson follows up on Sino-NK’s critically acclaimed “Benoit Symposium” with an exclusive essay on the challenge of children’s literary cultural production, focusing primarily on the classic text, “A Winged Horse.”
[Benoit Symposium 3] Engaging with a contemporary North Korean film, Sherri Ter Molen unpacks the usage of symbols derived from foreign–and what are often seen as hostile–sources within a distinctly North Korean cultural product.
[Benoit Symposium 2] The author of “Soldiers on the Cultural Front,” Tatiana Gabroussenko analyses the conundrum of literary production in North Korea, a cultural space seemingly reverential of the product but deliberately ambivalent, if not actively hostile, towards the producer.
[Benoit Symposium 1] History and the past are subjects close to North Korea’s institutional and cultural heart, but what about cultural expressions of the potential future. In this essay, Benoit Berthelier explores the science fiction output of Pyongyang.
Practice and Praxis of Cultural Production in North Korea: A Virtual Symposium on Production, Authorship, and Tone
A scholar at INALCO (Institute National des Langues et Civilisations Orientales) in Paris, Benoit Berthelier has joined Dr. Robert Winstanley-Chesters to co-edit an expansive virtual symposium on aesthetic and cultural production in North Korea. To start things off, Berthelier offers an opening salvo in what promises to be a splendid ride.
Drawing from his own research on contemporary conceptions and experiences of childhood in North Korea, Christopher Richardson paints a primer on the content and significance of children’s literature in the DPRK.