It should have surprised nobody that Pyongyang would seek to capitalize on South Korea’s desire to host a positive, peaceful and perhaps even profitable Winter Olympics in Pyeongchang next month. But how does the South Korean public feel about it?
The perception that China and North Korea no longer have the extensive bilateral contacts that they once did may be broadly speaking correct, but it is by no means the whole story. Here, Adam Cathcart brings to our attention an official event from July 25, 2017.
In this final essay of a new triliogy, Robert Winstanley-Chesters traces connections between early repertoires of promenading on the banks of the Taedong and contemporary watery manifestations at Munsu and Rungna.
Norwegian artist Morten Traavik’s cultural engagement with North Korean, which includes plans to establish an art institute in Pyongyang, has provoked the ire of at least one German journalist. Adam Cathcart recaps and analyzes an interview with Travvik in the Suddeutsche Zeitung.
Among the elite music academies of Pyongyang, performances take place of German symphonic literature and avant-garde contemporary music; our editor-in-chief assesses the scene.
In the first of three essays, Robert Winstanley-Chesters analyzes the disconnect between North Korea’s revolutionary culture and the existence of consumption space, uncovering a pre-history of leisure and entertainment in North Korea.
Dr. Kayla Iacovino of the US Geological Survey was witness to a fascinating moment of scientific connection between North Korea and the wider world. Recalling her experiences getting to and working from the volcanic frontline at Mt. Baekdu, she considers the broader implications of cooperation and engagement with North Korea.
Sherri L. Ter-Molen takes the “outside” tack on North Korean cultural production and media engagement in 2013. From Dennis Rodman to Jang Sung-taek via Angry Birds and the Samjiyon.