K-pop isn’t just about the music. Summarizing her findings from her recently defended doctoral dissertation, “’Black American, heart American’: Non-Korean identities in U.S. Korean Meetup groups,” Dr. Sherri Ter Molen explains how the Korean wave has changed the everyday lives of ordinary Americans.
It should have surprised nobody that Pyongyang would seek to capitalize on South Korea’s desire to host a positive, peaceful and perhaps even profitable Winter Olympics in Pyeongchang next month. But how does the South Korean public feel about it?
The perception that China and North Korea no longer have the extensive bilateral contacts that they once did may be broadly speaking correct, but it is by no means the whole story. Here, Adam Cathcart brings to our attention an official event from July 25, 2017.
In this final essay of a new triliogy, Robert Winstanley-Chesters traces connections between early repertoires of promenading on the banks of the Taedong and contemporary watery manifestations at Munsu and Rungna.
Norwegian artist Morten Traavik’s cultural engagement with North Korean, which includes plans to establish an art institute in Pyongyang, has provoked the ire of at least one German journalist. Adam Cathcart recaps and analyzes an interview with Travvik in the Suddeutsche Zeitung.
Among the elite music academies of Pyongyang, performances take place of German symphonic literature and avant-garde contemporary music; our editor-in-chief assesses the scene.
In the first of three essays, Robert Winstanley-Chesters analyzes the disconnect between North Korea’s revolutionary culture and the existence of consumption space, uncovering a pre-history of leisure and entertainment in North Korea.