Using music as a medium, Adam Cathcart takes the field of debate regarding the alleged purge and execution of Hyon Yong-chol into the ultra-politicized realm of concert halls and power stations.
Has Kim Jong-un disbanded the Moranbong Band for good? Pekka Korhonen, a visiting scholar at Kyoto University, suggests this is the wrong question to ask, and delves into a trove of revealing data.
The travails of the recent re-emerged Moranbong Band and the Unhasu Orchestra have been hot news recently, an apposite time therefore for Sherri L Ter-Molen’s appearance in East Lancing, Michigan where she will consider the Moranbong’s cultural acceptability in North America.
Sherri L. Ter Molen examines the potential for the Moranbong Band, the North Korean all-girl musical performance group formed in 2012, to increase DPRK soft power by appealing to foreign audiences.
Packaged and Controlled by the Masculine State: Moranbong Band and Gender in New Chosun-Style Performance
Darcie Draudt and Jimin Lee provide analysis of the Moranbong Band, plowing into the debate over gender, reform, and the future of North Korea.
Sino-NK’s Performing Arts Analyst Jimin Lee examines the Moranbong Band’s debut “Demonstration Concert” through the lens of its own name—that is, as a demonstration of its potential to act as bridge to the world with its “New Joseon Style” of pop musical performance.
A musical vision of the DPRK future? Adam Cathcart translates a favorable article about North Korea’s favorite new ensemble, and Jimin Lee provides commentary.